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BLUES ... E |
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Mal Eastick |
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Spirit |
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Eastick's guitar is clean, crisp and commanding. | |||
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Mal Eastick |
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The Southern Line |
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A blend of ballads and blues-rock with solid guitar. | |||
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Eddie M and Blueshound |
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Eddie M and Blueshound |
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An original blues sound that employs a good choice of tempos and a guitar that rocks and stings. | |||
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Elliott and The Untouchables |
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Both Ends Burnin' |
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Strong, smokin' blues in the style of William Clarke and Rod Piazza. | |||
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Elliott and The Untouchables |
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Smokin' The Blues |
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Sheer blues power captured live. | |||
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Elliott and The Untouchables |
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Voodoo Stew |
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The harp and sax work are super-fine! | |||
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Tim Elliott and the Troublemakers |
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Bed Slats 'n' All |
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Harp, drums, upright bass and an electrified guitar produce these engaging and earthy blues. | |||
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Tim Elliott and The Troublemakers |
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Tim Elliott and The Troublemakers |
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A living testament, of why the blues, nowadays, is very much alive and well | |||
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Mike Elrington |
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Too Good To Be True |
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Drivin' blues from a young man with a future. | |||
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Jon English and The Jersey Twister |
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Jon English and The Jersey Twister |
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Rugged blue-collar blues with a scowl. | |||
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