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| Mal Eastick |
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| Spirit | ||
| Eastick's guitar is clean, crisp and commanding. |
| Mal Eastick |
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| The Southern Line | ||
| A blend of ballads and blues-rock with solid guitar. |
| Eddie M and Blueshound |
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| Eddie M and Blueshound | ||
| An original blues sound that employs a good choice of tempos and a guitar that rocks and stings. |
| Stacks Edward Band |
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| Live (SEB) | ||
| In your face rock'n blues that feeds the soul. |
| Elliott and The Untouchables |
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| Both Ends Burnin' | ||
| Strong, smokin' blues in the style of William Clarke and Rod Piazza. |
| Elliott and The Untouchables |
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| Smokin' The Blues | ||
| Sheer blues power captured live. |
| Elliott and The Untouchables |
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| Voodoo Stew | ||
| The harp and sax work are super-fine! |
| Tim Elliott and the Troublemakers |
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| Bed Slats 'n' All | ||
| Harp, drums, upright bass and an electrified guitar produce these engaging and earthy blues. |
| Tim Elliott and The Troublemakers |
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| Tim Elliott and The Troublemakers | ||
| A living testament, of why the blues, nowadays, is very much alive and well |
| Mike Elrington |
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| Too Good To Be True | ||
| Drivin' blues from a young man with a future. |
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